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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a classic of synth-pop.

He subsequently founded the innovative techno group The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, following a spate of health issues.

"I managed to injure myself quite a bit," he commented in a recent interview. "I fractured lower vertebrae in my spine and cracked about multiple ribs and broke my arm."

After catching pneumonia and developing blood poisoning, he was put in an induced coma and stayed in hospital for half a year.

However, he had been in "a great place mentally" over the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is scheduled for publication next year.

"He was concentrated and very pleased with the new album that we literally finished only a few days ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as 2026 was all set to be such an positive year for him, and I take some solace from the fact that he heard the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his bandmate as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my existence and for the songs you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is different from being in a band, the connection is very tight," he added.
"That's how it was with us. We experienced so many remarkable, incredible, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Formative Years

Born into a one-parent family in the city of Chester in 1959, Ball was given up for adoption when he was a year and a half old.

He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who changed his given name from Paul to his adopted name, alongside his sibling Susan, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both studying art. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly recorded an EP.

Creative Collaboration

The pair were an distinctive pairing: Ball was the reserved musician, bent over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had developed a interest with synthesizers after viewing Kraftwerk appear on BBC program a popular series, and began to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular single of 1981, shifting millions of copies worldwide. Together with hits by other artists, contemporary bands and Ultravox, it contributed to cleared the path for the synth-pop sound of the 1980s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on new material right up until Ball's passing

Professional Journey

Success had its upsides. "I enjoyed being able to afford my first home, having financial security and travelling, which might seem like a beauty queen," Ball not long ago told with a publication.

But it also caused challenges. "Sudden riches allowed we could purchase newfound drugs to alleviate the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a cliché, but it's a cliché for a valid cause, because it applies for so many musicians."

Amidst the party-filled existence, the pair were also drifting apart, but they managed to create a follow-up classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the charting record Cruelty Without Beauty.

Following a further hiatus, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the large venue on September 30, that year.

Yet, they remained active, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the band's upcoming release as a tribute to the New York club scene they visited while making their first two albums.

He noted that his time in medical care had shaped the group's music.

"I experienced strange recollections when I was coming and going of hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the sounds in my mind from those days.
"Simultaneously, it's about the experiences we had in the 80s."

The last versions were completed only days before Ball died. It is scheduled for release in Spring 2026.

The writer

Robert Jordan

Tech enthusiast and journalist with a passion for exploring emerging technologies and their impact on daily life.

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